Each of the following images is a link to a Web Album - click on it to go there to view all the images in each photo album. Albums are chronological, but my notes are not.

The city is buzzing - no real end to the CBD - it continues in all directions with crowds of pedestrians heading all places. Yellow taxis everywhere - I wondered why they're always using their horns until I realised that jaywalking rules: locals in a hurry trying to beat the lights and tourists blithely ignoring pedestrian signals.
Navigation is a cinch generally when you get the hang of the numbering of the avenues (going up- and downtown) and the streets 'crosstown'. You can even work out distances - 20 short blocks to a mile and three (short blocks) to a long one.
We were told authoritatively on several occasions that New Yorkers like walking everywhere or taking the bus or subway - which is just as well as the roads are congested pretty much all the time. However, in the summer the heat is oppressive and we resorted to buses toward the end of our stay. Buses are fine once you get hold of a bus map and you have unlimited time to sit in traffic and at lights. It's probably the same pace as a brisk walk only beautifully air conditioned.
In seven days we saw several brilliant concerts including a Klezmer/ Bluegrass band at the City Winery, a gig at Joe's Pub by Country artist Marty Stewart, and I finally got to the Village Vanguard to enjoy an 11pm set by Joe Levano, Bill Frisell and Tony Motian. We also saw Memphis, a musical about the DJ Huey Calhoun (loosely based on Dewey Phillips) who promoted black Rock 'n' Roll music in Memphis, Tennessee in the 50s and 60s at great expense to his personal life. This was followed the next night by Fela, a musical about the life of Fela Kuti. Both were polished and exciting performances though the latter stood out as a masterful achievement in choreography and design.
City winery and Guggenheim Museum

My travelling partner was blissed out by Marty's (solo) performance and
got to give him some feedback afterwards when he finally emerged at the lobby to sign CDs and greet the few adoring fans. He's a real pro: I loved his stories between songs which established his credentials in the Country scene and convinced the audience that he was utterly down to earth and personable. He clearly enjoyed touring solo - for the first time in 15 years. Song lyrics were comprehensible and his guitar and mandolin licks were polished.
The Vanguard gig was great: I nearly didn't go due to all-round sensory overload (read: exhaustion) but it was well worth it. The trio were obviously used to playing together: I recognised a couple of the 5 numbers played (should've asked what they were afterwards) and all songs were masterful and understated interpretations.
Our days were mostly taken up by the Stations of the Cross: namely, the museums covered by our Citypass - American Museum of Natural History (traditional static diaramas), the Guggenheim (noisy and crowded), Metropolitan Museum of Art (beyond comparison with any other collection I've seen - in size and quality) and the Museum of Modern Art (too tired to enjoy but Cubist collection and Matisse exhibition were both impressive).
Metropolitan Museum of Art

I also made the effort (2 days in a row) to get the Neue Galerie. The first day I got there and had a quick coffee (in a real Viennesse Kaffeehaus with a real Linzertorte at a Viennesse price!). When I got to the entrance they advised it was closed! So why had they sold me a ticket 25 minutes before closing? As I appeared to be close to tears, the staff diplomatically asked me to take a seat whilst they consulted with the manager. They then issued me a pass to return the next day - being the final day of the Otto Dix exhibition. It turned out to be one of the highlights along with the Met Museum of Art: for its size (over 100 works) and sheer emotional force. His First World War series of sketches completed during and after his time at the Front constituted an overpowering anti-war statement. The rest of his oeuvre covers the spectrum of life in pre- 2nd World War Germany with expressionistic honesty and brutality, qualifying his work as 'Degenerate Art' by the Nazis.
Each 'Museum' day was punctuated by a meander through Central Park: on the first of these I aimed more or less for the exit opposite the Dakota Apartments on the steps of which John Lennon was murdered in 1980. Just beyond the Imagine memorial, i came upon a wonderful 8 piece band doing Beatles numbers and joined in the choruses of Strawberry Fields. They were flogging their CD of Beatles covers and obviously do a brisk trade, busking in that spot regularly.
![]() |
| NY MOMA etc |











